The greatest threat to bricks-and-mortar bookshops and their booksellers is people who make the choice to buy online, especially those who choose electronic devices to which you can download your latest selections and take loads of them on holiday without exceeding your weight restrictions. Cheaper, faster service, lightweight, portable and oh so snazzy, but as my mum used to say: Be careful what you wish for! We could end up with no bookshops on the high street at all, and we could even end up with no books. We could go back to the days when the price of the printed word would only be for the elitist reader who fills a private library as a display of personal wealth. Would our libraries shrink to house reading tables with everything on request at the press of a button and not a single book in sight? Is this progress or is this a potential minefield between the reading public and an impoverished selective future? No one is taking this awful prospect seriously but one day it will be too late: we, your booksellers, will all be gone to an ink filled grave.
Writers will suffer, too. Established names would hold their own but new voices would struggle to be heard, the choices would become limited with little or no opportunity for expression of a different kind. When last week the suave Peter Carey finally signed my first edition, ex library, hardback copy of
Parrot and Olivier in America, he made my day. Hopefully the recipient, my beloved nephew, Oisín, will treasure this physical reminder of an evening spent in the company of a writer at the top of his game. The queue that stretched from one end of the theatre to the other was full of readers whose reward would be a signed copy of Carey’s latest novel, and a quick word with the man who won the Man Booker Prize not once, but twice! I wonder how I’d have fared had I downloaded my copy onto a device that would fit in my jeans pocket? Would the occasion have been marked as well with an ethereal signature wafted into space? Nothing could match the pleasure I felt as I carried home this treasured volume (in an evening when the author signed hundreds of books there was but one he choose to personalise) replete with the Irish grammatically correct fada atop the second letter í. It’s the little things, dear reader, the minute details that make such a difference to a bibliophile like me!

I’m currently enjoying Anne Tyler’s latest novel,
The Beginner’s Goodbye, which is set in the world of publishing. Aaron, our woebegone protagonist, sits in his office surrounded by books that aim to help the reader undertake a myriad of tasks, and others on how to come to terms with teeming emotions gone awry. Rows of
The Beginner’s Guide to just about everything sit on his shelves, staring down as he fumbles with his grief at the loss of his beloved wife, Dorothy. With the help of these books, and the people who surround him, Aaron learns how to return to a somewhat normal life, one however, that includes the reappearance of Dorothy at his side. As soon as I’ve done a modicum of household duties I intend putting my feet up and reading it right to the end. When I’m finished, I’ll put it up on the shelf with all her other titles, and maybe I’ll lend it to my more reliable friends who will return it, eventually, so I can enjoy the having of it in my eclectic mishmash jumbled up library of literary loves.